Glenn Brown

1966, Northumberland, UK
Vit et travaille à Londres

Formation
1984-85 Norwich School of Art, Foundation Course
1985-88 Bath College of Higher Education B A Fine Art
1990-92 Goldsmiths’ College, London, M A Fine Art

Expositions personnelles
1995 Karsten Schubert Gallery, London
1996 Queen’s Hall Arts Centre, Hexham, England
1997 Galerie Ghislaine Hussenot, Paris
1998 Patrick Painter Inc, Los Angeles
1999 Jerwood Gallery, London
1999 Patrick Painter Inc. Los Angeles
2000 Galerie Max Hetzler, Berlin

Expositions de groupe
1995 Painters’ Opinion, Bloom Gallery, Amsterdam
That’s Not The way To Do It, Project Space, University of Northumbria at Newcastle_
From Here*, Waddington/Karsten Schubert, London
Summer Group Show, Karsten Schubert, London
Brilliant: New Art from London*, Walker Art Centre, Minneapolis
Young British Artists V*, Saatchi Collection, London
Obsession, The Tannery, London
1996 Glenn Brown, Peter Doig, Jim Hodges, Adriana Varejao, Galerie Ghislaine Hussenot, Paris
21 Days of Darkness, Transmission Gallery, Glasgow
Brilliant, Contemporary Arts Museum, Houston
1996 Out of Space, Cole & Cole, Oxford
Strange Days, The Agency, London
The Jerwood Painting Prize, Central Saint Martin’s College, London
Fernbedienung-Does Television Inform The Way Art Is Made?* Kunstverein, Graz, Austria
1996-98 About Vision* Museum of Modern Art, Oxford. Fruitmarket Gallery Edinburgh. Wolsey Art Gallery, Ipswich. Laing Art Gallery, Newcastle
1997 Belladonna, Institute of Contemporary Arts, London
Treasure Island*, Fundacao Calouste Gulbenkian, Centro de Art Moderna Jose de Azeredo Perdigao, Lisbon, Portugal
Pure Fantasy, Oriel Mostyn, Llandudno, North Wales
Glenn Brown, Alex Kats, Katherine Yass, Galerie Barbara Thumm, Berlin
1997-99 Sensation* Royal Academy of Art, London. Hamburger Banhoff, Berlin. Brooklin Museum, New York
1998 New Work, Patrick Painter Inc, Los Angeles, California
1998-99 Abstract Painting, Once Removed*, Contemporary Arts Museum, Houston. Kemper Museum of Contemporary Art, Kansas
1998-00 Secret Victorians, First Site, Colchester. Arnolfini, Bristol. Ikon Gallery, Birmingham. UCLA Hammer Museum of Art, Los Angeles
1998 Cluster Bomb, Morrison Judd, London
1998-99 It’s a Curse, It’s a Burden, Cur. Glenn Brown, The Approach, London
1999 Holding Court, Entwistle, London
1999-00 Examining Pictures: Exhibiting Paintings*, Whitechapel Art Gallery, London. The Museum of Contemporary Art, Chicago. UCLA Hammer Museum, Los Angeles
Fresh Paint, Recent Acquisitions from the Frank Cohen Collection, Gallery of Modern Art, Glasgow
John Moores 21*, Walker Art Gallery, Liverpool, England
Day of the Donkey Day, Transmission, Glasgow
Disaster, Harris Museum & Art Gallery, Preston, England
2000 Blue*, New Art Gallery, Walsall, England
The Wreck of Hope, The Nunnery Gallery, Bow, London
Glenn Brown, Julie Mehreti, Peter Rostovsky, The Project, New York
Futuro - decadent art & architecture, Centre For Visual Arts, Cardiff
2000-01 The British Art Show 5*, Edinburgh, Southampton, Cardiff, Birmingham

Monographies
1997 Glenn Brown, Queen’s Hall Arts Centre, Hexham/Karsten Schubert, London, text. Phil King, interview Marcelo Spinelli
1999 Glenn Brown, Jerwood Gallery, London, text. Ian Hunt

Bibliographie sélective
William Harvey, ‘Copycat Crime’, City Limits, February 4, 1993
Terry R Myers, ‘Painting Invitational’, Flash Art Magazine, n° 172, October, 1993
Stuart Morgan, ‘Confessions of a Body Snatcher’, Frieze Magazine, n° 12, October, 1993
Francesco Bonami, ‘Vitamin P: The Sound of Painting’, Flash Art Magazine, n° 173, Nov/Dec, 1993
Glenn Brown, ‘On Willem de Kooning: Paintings, Tate Gallery’, Frieze, n° 22, May, 1995
James Hyman, ‘Presences and Spectral Traces’, Galleries Magazine, July, 1995
Sarah Kent, ‘Glenn Brown, Karsten Schubert’, Time Out, July 26, 1995
John McEwen, ‘Young British Artists V’, The Sunday Telegraph, Oct 1, 1995
Mark Hooper, ‘Space 1995’, The Face, n° 86, November, 1995
Glenn Brown, ‘On George Condo’s Clownmaker’, The Guardian, Nov 14, 1995
Adrian Dannatt, ‘Brilliant’, Flash Art, n° 186, Jan-Feb, 1996
Melissa Feldman, ‘21 Days of Darkness’, Art Monthly, April, 1996
Judith Findlay, ‘21 Days of Darkness’, Flash Art, n° 189, June/July, 1996
Matthew Kyte, Darren Lees ‘G.B. in conversation at his studio’, The Slade Journal, Vol. 1, Summer, 1997
Sarah Kent, ‘Sensation’, Time Out (ill), Sept 10-17, 1997
Glenn Brown, ‘Gerhard Richter’, Anthony d’Offay Gallery, Frieze, n° 44, Jan/Feb, 1999
David Musgrove, ‘It’s a Curse, It’s a Burden’, Art Monthly, n° 223, Feb, 1999
Mark Sladen, ‘Glenn Brown, The Day the World Turned Auerbach’, Art/Text, n° 64, Feb/April, 1999
Marina Benjamin, The Evening Standard, Arts, May 6, 1999
Andrew Gellatly, ‘It’s a Curse, It’s a Burden’, Frieze, n° 45, March/April, 1999
Jennifer Higgie, ‘Glenn Brown, Jerwood Gallery, London’, Frieze, n° 47, June/Aug, 1999
Matthew Collings, ‘Higher Beings Command’, Modern Painters, Vol.12, n° 2, Summer, 1999
David Brittain, Cover, Creative Camera, June/July, 1999
David Musgrave, ‘We’ll Drink Through it All, This Modern Age’, interview, Untitled, n°19, Summer, 1999
Jonathan Jones, ‘I Thought it was in Ulm’, Untitled, n° 19, Summer, 1999
David Pagel, ‘Patrick Painter Inc exhibition’ review, Los Angeles Times, July 2, 1999
Jonathan Jones, ‘John Moors 21 exhibition’ review, The Guardian, Sept 28, 1999
Keith Patrick, ‘Formal Dress, Alienation and resignation at the millenium ball’, Contemporary Visual Arts, issue 26, Winter, 1999
* catalogue